avec Boulez, Mallarmé, et Foucault
Saman Samadi creates a piece operating an experimental space for problematizing past musical and literary works as well as scholarly texts, through experimentation — by a critical reflection on Boulez’s Notations pour piano, poems by Mallarmé, and scholarly texts by Boulez & Foucault, and discovering new potentials and common threads between them; deconstructing these existing works and utilizing them through performative approaches, through new modes of interpretation and communication, and reconstructing them through a creative assemblage in performance. More information is provided in the recordings below.
Creator and Director: Saman Samadi
10 May, 1:10 PM
Cambridge University Lunchtime Concert Series
West Road Concert Hall, Faculty of Music
14 May, 1:30 PM
Wolfson College Music Society
Lunchtime Concert Series
Lee Hall, Wolfson College
Pierre Boulez: Joost Evers/Anefo/Nationaal Archief
Stéphane Mallarmé: Paul Nadar/Sotheby's
Michel Foucault: Alexis Duclos/AP/REX/Shutterstock.com
Header photo: Sylvano Bussotti, Piano Piece #3, 1959.